{"id":16,"date":"2022-03-18T02:39:51","date_gmt":"2022-03-18T02:39:51","guid":{"rendered":"https:\/\/sebastiancohen.net\/?page_id=16"},"modified":"2023-01-13T20:11:38","modified_gmt":"2023-01-13T20:11:38","slug":"videos","status":"publish","type":"page","link":"https:\/\/sebastiancohen.net\/es\/videos\/","title":{"rendered":"Videos"},"content":{"rendered":"<div class=\"wp-block-cover alignfull\" style=\"min-height:300px;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-nv-dark-bg-background-color has-background-dim-100 has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p><\/p>\n\n\n\n<p class=\"has-text-align-left has-medium-font-size\"><strong>Orchestre de l&#8217;Universit\u00e9 de Montr\u00e9al<\/strong>, Salle Claude-Champagne<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Manuel de Falla - Extracts from El sombrero de tres picos\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/yeTj15s7x3o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Manuel de Falla &#8211; Extracts from El sombrero de tres picos<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Johannes Brahms - Variations on a Theme by Haydn\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/OdWTBAQJv4Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Johannes Brahms &#8211; Variations on a Theme by Haydn<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Mozart - Die Zauberfl\u00f6te - Overture\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/v8fS0lrUkz0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Mozart &#8211; Die Zauberfl\u00f6te &#8211; Overture<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Sibelius - The Swan of Tuonela\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/k770hRb2bC0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Sibelius &#8211; The Swan of Tuonela<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>El Taller de la Memoria, <\/strong>Sala Blas Galindo, Centro Nacional de las Artes<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Concierto Grosso no. 1, Cuauht\u00e9moc Rivera y David Rivera\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/1o-PlOLBzng?start=699&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Schnittke &#8211; Concerto Grosso no. 1<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Tabula Rasa, Frangel L\u00f3pez y Rodrigo Lluch\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/ITR1TYWuI74?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Arvo P\u00e4rt &#8211; Tabula Rasa<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Lachrymae, Henry Ar\u00e9valo\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/eQuX1T3FZWw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Benjamin Britten &#8211; Lachrymae<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Concierto para clavec\u00edn y orquesta de cuerdas, Areli Cort\u00e9s\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/5plUs2wqzy8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Henryk Miko\u0142aj G\u00f3recki &#8211; Harpsichord Concerto. op. 40<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-cover alignfull\" style=\"min-height:300px;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-nv-dark-bg-background-color has-background-dim-100 has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p><\/p>\n\n\n\n<p class=\"has-text-align-left has-medium-font-size\"><strong>Orquestas de C\u00e1mara de las Escuelas Superiores de M\u00fasica de M\u00e9xico, <\/strong>Palacio de Bellas Artes<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Grieg - Holberg Suite Op. 40 - I. Pr\u00e9lude\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/y38r7kc8Uz0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Grieg &#8211; Holberg Suite Op. 40 &#8211; I. Pr\u00e9lude<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Grieg - Holberg Suite Op. 40 - II. Sarabande\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/Gxj1UDB_gro?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Grieg &#8211; Holberg Suite Op. 40 &#8211; II. Sarabande<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Grieg - Holberg Suite Op. 40 - V. Rigaudon\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/JYZ9LUGGsdA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Grieg &#8211; Holberg Suite Op. 40 &#8211; V. Rigaudon<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Orchestre de l&#8217;Universit\u00e9 de Montr\u00e9al<\/strong>, Salle Claude-Champagne<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Mahler. Symphony 4 - 1. Bed\u00e4chtig, nicht eilen\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/znC5ouDXhfM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Mahler. Symphony 4 &#8211; 1. Bed\u00e4chtig, nicht eilen<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Mahler. Symphony 4 - 2. In gem\u00e4chlicher Bewegung, ohne Hast\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/E1YihjL5Kpo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Mahler. Symphony 4 &#8211; 2. In gem\u00e4chlicher Bewegung, ohne Hast<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Mahler. Symphony 4 -  3. Ruhevoll, poco adagio\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/BcTuwwUGHBw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Mahler. Symphony 4 &#8211; 3. Ruhevoll, poco adagio<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Mahler. Symphony 4 -  4. Sehr behaglich\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/Q1I735tPcJk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Mahler. Symphony 4 &#8211; 4. Sehr behaglich<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-cover alignfull\" style=\"min-height:300px;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-nv-dark-bg-background-color has-background-dim-100 has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Orquesta Sinf\u00f3nica de la Universidad de Panam\u00e1<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video height=\"1080\" style=\"aspect-ratio: 1920 \/ 1080;\" width=\"1920\" controls src=\"https:\/\/sebastiancohen.net\/wp-content\/uploads\/2022\/03\/Vaughan-Williams-Tuba-concerto-I-II-1.mp4\"><\/video><figcaption class=\"wp-element-caption\">Vaughan Williams &#8211; Tuba concerto in F minor , mvmts 1&amp;2<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video height=\"1080\" style=\"aspect-ratio: 1920 \/ 1080;\" width=\"1920\" controls src=\"https:\/\/sebastiancohen.net\/wp-content\/uploads\/2022\/03\/Vaughan-Williams-Tuba-concerto-III-1.mp4\"><\/video><figcaption class=\"wp-element-caption\">Vaughan Williams &#8211; Tuba concerto in F minor , mvt 3<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<h2 class=\"alignwide has-medium-font-size wp-block-heading\" id=\"we-re-a-studio-in-berlin-with-an-international-practice-in-architecture-urban-planning-and-interior-design-we-believe-in-sharing-knowledge-and-promoting-dialogue-to-increase-the-creative-potential-of-collaboration\" style=\"line-height:1.1\"> <\/h2>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Orchestre de l&#8217;Universit\u00e9 de Montr\u00e9al<\/strong>, Salle Claude-Champagne<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video height=\"464\" style=\"aspect-ratio: 780 \/ 464;\" width=\"780\" controls src=\"https:\/\/sebastiancohen.net\/wp-content\/uploads\/2022\/03\/Schumann-Symphony-1-1.Andante-un-poco-maestoso-Allegro-molto-vivace-1.mp4\"><\/video><figcaption class=\"wp-element-caption\">Schumann &#8211; Symphony No. 1, the Spring Symphony &#8211; 1. Andante un poco maestoso &#8212; Allegro molto vivace<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video height=\"480\" style=\"aspect-ratio: 852 \/ 480;\" width=\"852\" controls src=\"https:\/\/sebastiancohen.net\/wp-content\/uploads\/2022\/03\/Schumann-Symphony-1-2.-Larghetto-1.mp4\"><\/video><figcaption class=\"wp-element-caption\">Schumann &#8211; Symphony No. 1, the Spring Symphony &#8211; 2. Larghetto<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video height=\"464\" style=\"aspect-ratio: 780 \/ 464;\" width=\"780\" controls src=\"https:\/\/sebastiancohen.net\/wp-content\/uploads\/2022\/03\/Schumann-Symphony-1-3.Scherzo-Molto-vivace-Trio-I-Molto-piu-vivace-Trio-II-1.mp4\"><\/video><figcaption class=\"wp-element-caption\">Schumann &#8211; Symphony No. 1, the Spring Symphony &#8211; 3. Scherzo: Molto vivace &#8212; Trio I: Molto piu vivace &#8212; Trio II<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video height=\"480\" style=\"aspect-ratio: 852 \/ 480;\" width=\"852\" controls src=\"https:\/\/sebastiancohen.net\/wp-content\/uploads\/2022\/03\/Schumann-Symphony-1-4.Allegro-animato-e-grazioso-1.mp4\"><\/video><figcaption class=\"wp-element-caption\">Schumann &#8211; Symphony No. 1, the Spring Symphony \u2013 4. Allegro animato e grazioso<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-cover alignfull\" style=\"min-height:300px;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-nv-dark-bg-background-color has-background-dim-100 has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Orquesta Sinf\u00f3nica de la Universidad de Panam\u00e1<\/strong> (Mtro. Alexis Moreno, preparador coral)<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Mozart \u2013 Coronation Mass No. 15 in C major- 1. Kyrie\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/vaRKA-ye4Fs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Mozart \u2013 Coronation Mass No. 15 in C major &#8211; 1. Kyrie<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Mozart \u2013 Coronation Mass No. 15 in C major - 2. Gloria\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/72C_sZ_WoUU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Mozart \u2013 Coronation Mass No. 15 in C major &#8211; 2. Gloria<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Mozart \u2013 Coronation Mass No. 15 in C major - 3. Credo\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/Hj8v-7LbGDA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Mozart \u2013 Coronation Mass No. 15 in C major &#8211; 3. Credo<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Mozart \u2013 Coronation Mass No. 15 in C major - 4. Sanctus\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/WfrpOU7QZoM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe><\/div>\n<\/div><figcaption class=\"wp-element-caption\">Mozart \u2013 Coronation Mass No. 15 in C major &#8211; 4. 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